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| 001 | 617527 | ||
| 005 | 20250822130309.0 | ||
| 024 | 7 | _ | |2 arXiv |a arXiv:2411.09549 |
| 024 | 7 | _ | |2 datacite_doi |a 10.3204/PUBDB-2024-06858 |
| 037 | _ | _ | |a PUBDB-2024-06858 |
| 041 | _ | _ | |a English |
| 088 | _ | _ | |2 arXiv |a arXiv:2411.09549 |
| 088 | _ | _ | |2 DESY |a DESY-24-191 |
| 100 | 1 | _ | |0 P:(DE-H253)PIP1097418 |a Crippa, Arianna |b 0 |e Corresponding author |u desy |
| 245 | _ | _ | |a Quantum computing inspired paintings: reinterpreting classical masterpieces |
| 260 | _ | _ | |c 2024 |
| 336 | 7 | _ | |0 PUB:(DE-HGF)25 |2 PUB:(DE-HGF) |a Preprint |b preprint |m preprint |s 1734423296_1624668 |
| 336 | 7 | _ | |2 ORCID |a WORKING_PAPER |
| 336 | 7 | _ | |0 28 |2 EndNote |a Electronic Article |
| 336 | 7 | _ | |2 DRIVER |a preprint |
| 336 | 7 | _ | |2 BibTeX |a ARTICLE |
| 336 | 7 | _ | |2 DataCite |a Output Types/Working Paper |
| 500 | _ | _ | |a 10 pages, 8 figures One of the original images is subject to copyright restrictions and cannot be reproduced here. |
| 520 | _ | _ | |a We aim to apply a quantum computing technique to compose artworks. The main idea is to revisit three paintings of different styles and historical periods: ''Narciso'', painted circa 1597-1599 by Michelangelo Merisi (Caravaggio), ''Les fils de l'homme'', painted in 1964 by Rene Magritte and ''192 Farben'', painted in 1966 by Gerard Richter. We utilize the output of a quantum computation to change the composition in the paintings, leading to a paintings series titled ''Quantum Transformation I, II, III''. In particular, the figures are discretized into square lattices and the order of the pieces is changed according to the result of the quantum simulation. We consider an Ising Hamiltonian as the observable in the quantum computation and its time evolution as the final outcome. From a classical subject to abstract forms, we seek to combine classical and quantum aesthetics through these three art pieces. Besides experimenting with hardware runs and circuit noise, our goal is to reproduce these works as physical oil paintings on wooden panels. With this process, we complete a full circle between classical and quantum techniques and contribute to rethinking Art practice in the era of quantum computing technologies. |
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| 536 | _ | _ | |0 G:(EU-Grant)101087126 |a QUEST - QUantum computing for Excellence in Science and Technology (101087126) |c 101087126 |f HORIZON-WIDERA-2022-TALENTS-01 |x 1 |
| 536 | _ | _ | |0 G:(EU-Grant)101109258 |a IIMPAQCT - Integrated Interdisciplinary Music Practice And Quantum Computing Technologies (101109258) |c 101109258 |f HORIZON-MSCA-2022-PF-01 |x 2 |
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| 700 | 1 | _ | |0 P:(DE-H253)PIP1102922 |a Chai, Yahui |b 1 |u desy |
| 700 | 1 | _ | |a Hamido, Omar Costa |b 2 |
| 700 | 1 | _ | |a Itaborai, Paulo |b 3 |
| 700 | 1 | _ | |0 P:(DE-H253)PIP1003636 |a Jansen, Karl |b 4 |u desy |
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| 914 | 1 | _ | |y 2024 |
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| 920 | 1 | _ | |0 I:(DE-H253)CQTA-20221102 |k CQTA |l Centre f. Quantum Techno. a. Application |x 1 |
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