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@ARTICLE{Crippa:617527,
      author       = {Crippa, Arianna and Chai, Yahui and Hamido, Omar Costa and
                      Itaborai, Paulo and Jansen, Karl},
      title        = {{Q}uantum computing inspired paintings: reinterpreting
                      classical masterpieces},
      reportid     = {PUBDB-2024-06858, arXiv:2411.09549. DESY-24-191},
      year         = {2024},
      note         = {10 pages, 8 figures One of the original images is subject
                      to copyright restrictions and cannot be reproduced here.},
      abstract     = {We aim to apply a quantum computing technique to compose
                      artworks. The main idea is to revisit three paintings of
                      different styles and historical periods: ''Narciso'',
                      painted circa 1597-1599 by Michelangelo Merisi (Caravaggio),
                      ''Les fils de l'homme'', painted in 1964 by Rene Magritte
                      and ''192 Farben'', painted in 1966 by Gerard Richter. We
                      utilize the output of a quantum computation to change the
                      composition in the paintings, leading to a paintings series
                      titled ''Quantum Transformation I, II, III''. In particular,
                      the figures are discretized into square lattices and the
                      order of the pieces is changed according to the result of
                      the quantum simulation. We consider an Ising Hamiltonian as
                      the observable in the quantum computation and its time
                      evolution as the final outcome. From a classical subject to
                      abstract forms, we seek to combine classical and quantum
                      aesthetics through these three art pieces. Besides
                      experimenting with hardware runs and circuit noise, our goal
                      is to reproduce these works as physical oil paintings on
                      wooden panels. With this process, we complete a full circle
                      between classical and quantum techniques and contribute to
                      rethinking Art practice in the era of quantum computing
                      technologies.},
      cin          = {$Z_ZPPT$ / CQTA},
      cid          = {$I:(DE-H253)Z_ZPPT-20210408$ / I:(DE-H253)CQTA-20221102},
      pnm          = {611 - Fundamental Particles and Forces (POF4-611) / QUEST -
                      QUantum computing for Excellence in Science and Technology
                      (101087126) / IIMPAQCT - Integrated Interdisciplinary Music
                      Practice And Quantum Computing Technologies (101109258)},
      pid          = {G:(DE-HGF)POF4-611 / G:(EU-Grant)101087126 /
                      G:(EU-Grant)101109258},
      experiment   = {EXP:(DE-MLZ)NOSPEC-20140101},
      typ          = {PUB:(DE-HGF)25},
      eprint       = {2411.09549},
      howpublished = {arXiv:2411.09549},
      archivePrefix = {arXiv},
      SLACcitation = {$\%\%CITATION$ = $arXiv:2411.09549;\%\%$},
      doi          = {10.3204/PUBDB-2024-06858},
      url          = {https://bib-pubdb1.desy.de/record/617527},
}